The analysis of Bryusov's poem is better to begin with a brief information about the poet, especially since he is an outstanding personality.
Валерий Брюсов ворвался в мир стихов в конце nineteenth century as a representative of the "young", a new poetry (symbolism), created by the example of the French Verlaine, Malarme and Rimbaud. But it was not only symbolism that interested the young poet at that time. Somehow he puzzled the public with his shocking monotony about his pale legs, thus claiming the artist's right to unlimited creative freedom.
For the fortune of connoisseurs of poetry, Bryusov does notlimited only to experiments: he developed his poetic talent, filling the works with historical events and images from his own life. Often the heroes of his poems, he made strong personalities, characters of history or myths, being influenced by the philosophy of Nietzsche. The appearance of more and more collections was an illustration of how the poetic skill of Bryusov grew and strengthened.
But the poet valued the freedom above all else. In his early poem called "Creativity" there is no specific hero, or rather, he is a contemplative. And with his eyes the reader sees what is happening.
But an analysis of Bryusov's poem "Creativity", asand any other work, it is necessary to begin with the indication of the day and year of its creation. It was written on the first of March 1895 and was included in the collection of "young" poems "Masterpieces".
Analysis of the poem by Bryusov once again confirms the author’s main idea that the artist is free to choose a theme, and even the mystical process of creation can become it.
That the work relates to symbolism,says a lot. For example, the vocabulary that the author uses to depict strange, unusual images: the blades of patches (leaves splayed like pyatarny), like purple fancy hands on an enamel wall do not draw lines, but sounds, without breaking the “ringing-sounding silence”.
Перед читателем предстает странный фантастический the world: transparent arbors ("kiosks"), "uncreated" creatures, shining in the light of two moons, or rather, the azure moon and the "naked" (without clouds) month, appear from nowhere. And this whole process is shrouded in mystery and dreams.
Анализ стихотворения Брюсова выявил использование such expressive means as color painting and sound writing. The text seems to contain violet and azure colors, and for some reason the enamel wall is associated with white, although, apparently, it meant the quality of its surface - smoothness. The drowsiness of the often repeated “l”, “p”, “m” and “n” is intended to create a feeling of slowness, smoothness of movements, as if everything happens under water. The music of this poem fascinates!
Compositionally it is built in an original way:the last line of the quatrain becomes the second in the next four lines. Analysis of Bryusov's poem shows that the lines, repeating themselves, interlock with each other, creating a continuous stream of fantastic consciousness and feelings.
Bryusov's poem "Creativity" unfoldsslowly, as if to say that nothing is created at once, one can never know for sure. The images are unsteady, fuzzy, they are gradually guessed by a lyrical hero. Perhaps this tormenting process of searching for the essence is called the “torment of creativity”?
All poems dedicated to Bryusovcreations are united by one main idea: creativity is infinite and free, it cannot be comprehended, it is afraid of clarity and loudness. As soon as the illusory image appears in bright light under the eye of an inquisitive critic, he immediately crumbles, giving no opportunity to study it closely and attentively. Such is his airy and fragile nature!
