For the first time the phrase "decorative still life"It began to be used at the beginning of the 20th century, precisely in those times when the process of the emergence of a large number of different new trends in art, including painting, was observed. The last years of the outgoing 19th century and the beginning of the 20th century in general became the period of searching for all sorts of new textures, desperate experiments on space, color and form.
Take at least the works of the famousexpressionist painter Matisse, in which the author has made the main emphasis on texture and color. The decorativeness of his magnificent still lifes is beyond doubt. Increased attention to color and its emphasis is typical for the works of Falk, Konchalovsky, Grabar, Antipova.
Fully comply with the term "decorativestill life "images of simple geometric forms in the paintings of a bright representative of cubism Pablo Picasso. There is no doubt about the decorativeness of the works of Petrov-Vodkin, who, through still life, sought to convey to the viewer complex images and concepts.
Характерная особенность, которой отличается decorative still life is the admissibility of the conditional display of real objects, it does not require the unconditional implementation of some production tasks, such as display of materiality, space, form. Very limited requirements are also placed on image layout. Of the priorities of the works of this genre should be noted color composition, which is built on monochrome, contrast, nuance. Her main goal is to create a planned color. Decorative still life with gouache, watercolor or oil is an emphasis on the beauty of the line and contour of the depicted object.
Для усложнения формы обычно используются элементы decorative ornament. The author has the ability to stylize the subject at its discretion, sometimes using the technique of a significant departure from nature. Moreover, three-dimensional forms - fruits, flowers, vases, jugs - can maintain their smooth real lines or reach geometrical patterns that embrace abstract images.