As the fathers of the church teach, the temple is not just walls,in which the services are conducted. According to religion, symbols have meaning. Some parts of the temple are important in the services, while they carry a certain message, fully revealed in the monumental painting, which expresses the entire teaching of the Church. The painting of the temple contains his invisible presence, and the more the picture corresponds to the canons, the stronger this presence is felt, bringing more grace.
From ancient times images in churches were intendedgive information to the people. The painting of the walls of the church is a continuation of the cathedral forms, they should carry not only a preaching purpose, but also answer poetic-figurative functions. In addition, painting is a reflection of the transformation of ideals and the progress of popular thought.
Since the end of the XIV century, the dominant role in arttemple painting was occupied by the Moscow principality, which at that time led the unification of lands and the battle for the overthrow of the yoke of the Tatar-Mongols. The school, one of the natives of which was Andrei Rublev, had a significant impact on the formation of painting.
The name of this icon-painter is associated with the heydayart. This period coincided with the early Renaissance in Italy. A worthy successor to Rublev was Dionisy, the painting of the Orthodox church of which is characterized by refinement, refinement, bright and bright palette.
After Dionysius, one can observe the desire forthere is no structured story unfolding on the walls of the cathedral. Often, such a painting of the temple differs congestion. At the beginning of the 17th century, the Stroganov School was born, an important part of which was landscape painting, in which the diversity of nature was displayed.
The century is rich in dramatic events in historystate, but, at the same time, developed and secular culture that influences the painting of the temple. For example, the most significant painter of this period Ushakov calls for truthfulness in the drawings. Peter I, who ascended the throne, strengthened the worldliness of perception. Even greater impact on the extinction of stenographic art was banned by the use of stone in the construction of buildings outside St. Petersburg.
Steps to the revival of the temple painting wereundertaken only by the middle of the century. It was at this point that the images were placed in the moldings. By the end of the XIX century in the painting of the cathedrals, classicism prevailed, characterized by an academic manner of writing, combined with alfresic and ornamental paintings.
Temple painting of this period is developingAccording to the laws of Russian Art Nouveau, which originated in Kiev. It was there that you could get acquainted with the works of Vasnetsov and Vrubel. The walls of the Vladimir Cathedral, painted by Vasnetsov, were photographed in detail, the splendor of the entire country was shown.
Many artists have sought to imitate thistechnique when working in other churches. The painting of the temple of this period greatly influenced the technique of other artists. A close study of the temple painting made it possible to get an unforgettable experience, contributing to the selection of a style suitable for a specific architecture.
