The other progenitors of the actors were jesters, they toodressed in costumes, sometimes in masks and, like the priests, performed their roles throughout life. As now there are actors' dynasties, then there was also a clan of priests and a guild of buffoons. Probably, this "kinship" created different attitudes towards the actors of antiquity. For the viewer, some actors, like the incarnation of priests, became servants of art, others - frivolous, sometimes rude jokers.
At first, the actors' game was without words, and they were called actors later, at first they were mimes, imitators. If you think about it - acting and skill is, in fact, a game, imitation, action.
И только по истечении долгого времени появилась the first replica of the actor. In Ancient Greece, not only short scenes of mimes from the life of citizens were played out. Began to appear whole theatrical performances with the scoring of small scenes, which made spectators to experience with the actors all the action.
For the first time it is mentioned about acting as a profession indeep medieval times in Italy. And then it became clear to many that the remark is not only the skill of the word, but also a kind of oratory. After all, it was not without reason that the relations between the theater and the church deteriorated in those days. Servants of the church began to call actors "heralds of the devil."
Replica - is in the theatrical understanding of the dialoguebetween actors, in fiction it is a statement of literary heroes among themselves. In France in the seventeenth century, the main thing in the theater was the word. They wrote plays on philosophical themes, actors spent a lot of time memorizing texts so that beautiful harmonious speech sounded in the performances, and this tendency, when the word prevailed over the action, can be traced to the nineteenth century.
Actors in all ages have been a willful people and notalways predictable, often, to please the viewer, they "forgot" the rules, and from the stage the dialogue with the audience sounded between his learned text and his heart prompted. The remark is a reprise, a dialogue with the audience, this is a new trend of the nineteenth century.
The twentieth century became the most supportive of the theater,who gave Russia wonderful playwrights, actors, directors. In performances of the beginning of the century in many theaters, the audience watched only the main characters play, the best replicas were written only for them, there was no trace of the general ensemble of the game with other actors.
Благодаря Константину Сергеевичу Станиславскому и Vsevolod Emilevich Meyerhold these stereotypes of the game of one actor were torn apart, they achieved a common ensemble in the game, when all the actors involved in the performance should show the viewer a picture of the life of the characters. Stanislavsky said that a well-chosen replica is always half the success of the play. Some actors playing the second role plan are most often remembered by a replica, which fits well into the context. Thanks to the cinematography some actors, who never played the main roles in the films, became famous and recognizable only because of the successfully selected and played replicas.
