What features distinguished Russian painting of the XX century?

In the XX century, the moment came when all artturned to the avant-garde. And if you ask what features distinguished Russian painting of that period from this in other countries, then we can say with confidence: all artists were carried away by avant-garde, which translated from French means “advanced detachment”.

History knows many examples of howcrucial moments when a change of epochs begins, creative personalities begin to create radical movements designed to consider events under a different prism. However, the XX century has become a significant event in this regard.

The beginning of the avant-garde

The first steps of the representatives of Russian avant-gardism come in 1907, when the artistic association “Blue Rose” was created, where recognized masters of neo-primitivism and symbolism gathered.

These art styles laid a bridge tofundamentally new direction in art - the avant-garde. The first outstanding artistic representatives of this trend were Kazimir Malevich, Larionov and Goncharov, whose works are kept in the Moscow Museum of Modern Art.

What features distinguished Russian painting XXcentury? It was here that the term “avant-garde” first appeared - Benoit presented it to the world, ironically describing the works of artists from the creative association “The Jack of Diamonds”, which in 1910 presented the first innovative pictures from the technical point of view of the Union of Artists exhibition. Since then, it has been accepted that all the new items in this field belong to the Russian masters of the brush.

Representatives of the Russian avant-garde

Features of Russian painting in the 20th century. such that the emerging avant-garde was a broad concept, while on its basis more and more new stylistic trends were born.

So, for example, many Russian artists in theirin their creative work they pursued the traditions of European modernism: Cubism, Suprematism, Constructivism, Luchism, Fauvism, and Futurism. The most prominent representatives of the domestic avant-garde trends were Kandinsky and Malevich. They stood at the origins of the emergence of this multifaceted artistic phenomenon and became the "culprits" of the birth of his brainchild - abstractionism.

Abstraction is a non-objectiveart, where the artist for the image uses only his associative perception of reality, bypassing the canons of classical painting. The main artistic element of the style is the color that helps the masters to endow the canvas with emotions.

The first to venture on such an experimentwas Kandinsky. His global idea was to convey to humanity that music can be depicted on the canvas, that it has its own color and has a separate form.

From abstractionism to supremacism

Russian painting underwent active changes throughout the early 20th century.

After in 1909 Kandinsky for the first timehe presented his first abstract work for review by critics; he met Kazimir Malevich, who, although he was a big fan of everything new, nevertheless continued to be under the influence of impressionism. From this point on, the artist's works begin to undergo metamorphosis, which by 1913 had shown him as a representative of cubofuturism.

Over time, Malevich once again pointed out thatwhat features distinguished Russian painting of the 20th century - it became the founder of a new stylistic trend, called suprematism. A distinctive feature of this direction was that rectangular figures were laid into the compositional basis of the work. In fact, Suprematism is another kind of abstractionism, since it has similar features:

• irrelevance;
• lack of volume;
• Geometry (any non-volume geometric shapes may be present, but the central part of the picture is a rectangle);
• asymmetry.

Malevich believed that Suprematism is newthe plane of art, which is accessible to the understanding of a new type of artists who managed to survive the prejudices of the past. What features distinguished Russian painting in those days? According to representatives of Suprematism, this is an opportunity to comprehend the highest stage of art, to know the dynamics and static of the cosmos by minimizing space.