Classical choreography is the foundation upon which all the dancing art rests. Having learned all its subtleties, you will be able to master any genre that you like.
Dance is one of the most ancient arts.From time immemorial, through the movements of the body, people expressed their emotions, experiences, and even communicated with higher powers. Needless to say, each of the numerous nationalities inhabiting the planet has its own specific dances, the features of which are connected with cultural, social and everyday traditions. Classical choreography has absorbed the most beautiful, elegant and harmonious movements that existed in the dance cultures of different nations.
Despite all the above, this artis young. The age of classical choreography (in its current form) is not more than 400 years. Humanity owes its appearance to Italian nobility. In the Renaissance in the northern regions of the country, no reception was complete without dancing. The forerunners of modern choreographers were the dance masters who served at the royal court. They developed the same standards (a kind of "dance etiquette"), which we are guided by today.
By the 16th century, classical choreography receivedspread throughout Europe. But the epicenter of the development of this art was France. Since the founding of the Royal Dance Academy in Paris, choreography has become not just a court entertainment, but an independent art direction. After another 100 years, Raul Feyet created the system of elements of classical dance. He gave each of them a French name. Now all the dancers of the world use them in their professional vocabulary.
Classical choreography for adults and childrenIt consists of the same elements, but the complexity and technique of execution will differ significantly. However, the basic concepts and requirements remain unchanged.
The first and most important condition is goodvyvorotnost. This is the ability to expand the hip joint, which allows the leg and foot, in particular, to take the main positions. Even if this property is not given to man from birth, it is quite possible to develop it through regular and hard work.
Pose is a static figure that is definedbody position, limbs and head dancer. Depending on the position relative to the auditorium, postures can be open or closed. The main ones include croisee, ephasis (effacee), ecardi and arabesques.
Positions are the basic positions of the limbs.If we are talking about the feet, then they, of course, must be on the floor. Positions determine the correct position of the body, give it grace, and dance - expressiveness.
The school of classical choreography, often begins with the development of vyvorotnosti, which allows the legs to take basic positions. They are distinguished by six:
Smooth hand movements add beauty, tenderness and expressiveness to the dance. However, to achieve a result, it is important to know their main positions, namely:
Quite a complex science is choreography. Classical dance requires not only physical skills, but also theoretical knowledge. So, there are the following main groups of movements;
This is the basis of choreography, but far from complete list of its positions. The dance is a smooth alternating change of positions using the specified basic movements.
The theater of classical choreography begins withperformance with a special ballet machine. This is a set of exercises aimed at the development of the musculoskeletal system. Every dancer begins his occupation with an exercise. The complex includes the following basic exercises:
It is worth noting that the exercises are done socalled the cross, during which the leg alternately moves forward, to the side and back. In this case, at the very beginning of training, the exercises are performed in an elementary basic character. Later, more complex combinations aimed at the development of plasticity and grace can be learned.
Perhaps more often than in any other section, parentsgive their children to dance circles. And even if in the future the child does not become a famous ballet dancer, these classes will not be in vain for him. The benefits to children of choreography are as follows:
Помимо всего прочего, регулярные занятия choreography helps to develop a beautiful gait, natural grace and, of course, a harmonious figure (which is important for both girls and boys). However, if there are problems with the cardiovascular system, exercise should be treated with caution. In some cases, they may be contraindicated.
Oddly enough, classical choreographybegin with a dance step. That it is the basis of any composition. The pitch should be clear, inversion and plastic. In the course of training, insufficient development of an achilles, knees or hip joints can be detected, which is corrected by regular exercises.
Another important point is the rack.The spine should be stretched strictly vertically, buttocks and abdomen pulled, shoulder blades folded back and shoulders down. If the body is in a relaxed position, stability will be lost, as well as balance, and therefore no movement will be obtained. Of course, at first, it is rather difficult to monitor the posture, but after a few months of regular exercise, such a position of the body becomes natural.
Modern classical choreography isthe result of centuries of work of practitioners and theorists who created a unique system of movements and positions, as well as a language of dance that is understood throughout the world. In a relatively short time (400 years on historical scale, this is not so much), the dance has turned from a primitive expression of emotions and an element of mystical rituals into real art that humanity does not tire of admiring.
Unfortunately, many still considerChoreography is not a serious occupation. However, this is a whole science. And even if the dance does not become your profession or passion of a lifetime, the classes will not pass without a trace. Regular workouts will help you form a beautiful figure and posture, develop a smooth gait, give your movements a grace. In addition, you will be insured against many diseases of the musculoskeletal system.
